"Forward into Light", 16x20 acrylics on panel, 2018. Following the lead of the iconic suffragist Inez Mullholland a century of women march forward out of fear...
"Forward into Light", 16x20 acrylics on panel, 2018. Following the lead of the iconic suffragist Inez Mullholland a century of women march forward out of fear...
Bouquets of Women, 11x14, oils on canvas, 2017
Bouquets of Women, 11x14, oils on canvas, 2017
"The Twelve Steps of Addiction Recovery," Acrylics on Canvas, 2012. Beginning in the center with fists clenching chains then spiraling outwards, the steps are a cyclical & consistent outreach.
"The Twelve Steps of Addiction Recovery," Acrylics on Canvas, 2012. Beginning in the center with fists clenching chains then spiraling outwards, the steps are a cyclical & consistent outreach.
"Mean little cotton bolls." 8x8, acrylics on canvas, 2018. Using a literary reference from Maya Angelou this piece invites an introspection into past grievances, and present hurts.
"Mean little cotton bolls." 8x8, acrylics on canvas, 2018. Using a literary reference from Maya Angelou this piece invites an introspection into past grievances, and present hurts.
"A Janurary Bouquet", 12x12, acrylics & oils on canvas, 2016
"A Janurary Bouquet", 12x12, acrylics & oils on canvas, 2016
"Grace for Womanhood Warfare." 16x20 Acrylics on Canvas. 2013. An intimate portrayal of female oppression, voyeuring the harsh disfigurment in order to comprehend the potential for disarmament.
"Grace for Womanhood Warfare." 16x20 Acrylics on Canvas. 2013. An intimate portrayal of female oppression, voyeuring the harsh disfigurment in order to comprehend the potential for disarmament.
"Backyard Blues: If I ever go looking for my heart's desire again, I won't look any further than my own back yard.", 11x14, mixed media, 2012
"Backyard Blues: If I ever go looking for my heart's desire again, I won't look any further than my own back yard.", 11x14, mixed media, 2012
"Properly illuminated during hours of darkness", 16x20, acrylics on canvas, 2013
"Properly illuminated during hours of darkness", 16x20, acrylics on canvas, 2013
"With a Rebel Yell: diptych I", aerosol & paint on concrete board, 2013
"With a Rebel Yell: diptych I", aerosol & paint on concrete board, 2013
"Birds Eye-View", 16x20, acrylics on canvas, 2012. The aerial view of a prison from the birds-eye-view of the geese that inhabited the grassy courtyards inside the wall of the institution.
"Birds Eye-View", 16x20, acrylics on canvas, 2012. The aerial view of a prison from the birds-eye-view of the geese that inhabited the grassy courtyards inside the wall of the institution.
"F-BOMBS", 16x20, acrylics & polyurethane on canvas, 2013
"F-BOMBS", 16x20, acrylics & polyurethane on canvas, 2013
Veterans of Feminist Wars.jpg
"Forward into Light", 16x20 acrylics on panel, 2018. Following the lead of the iconic suffragist Inez Mullholland a century of women march forward out of fear...
"Forward into Light", 16x20 acrylics on panel, 2018. Following the lead of the iconic suffragist Inez Mullholland a century of women march forward out of fear...
Bouquets of Women, 11x14, oils on canvas, 2017
Bouquets of Women, 11x14, oils on canvas, 2017
"The Twelve Steps of Addiction Recovery," Acrylics on Canvas, 2012. Beginning in the center with fists clenching chains then spiraling outwards, the steps are a cyclical & consistent outreach.
"The Twelve Steps of Addiction Recovery," Acrylics on Canvas, 2012. Beginning in the center with fists clenching chains then spiraling outwards, the steps are a cyclical & consistent outreach.
"Mean little cotton bolls." 8x8, acrylics on canvas, 2018. Using a literary reference from Maya Angelou this piece invites an introspection into past grievances, and present hurts.
"Mean little cotton bolls." 8x8, acrylics on canvas, 2018. Using a literary reference from Maya Angelou this piece invites an introspection into past grievances, and present hurts.
"A Janurary Bouquet", 12x12, acrylics & oils on canvas, 2016
"A Janurary Bouquet", 12x12, acrylics & oils on canvas, 2016
"Grace for Womanhood Warfare." 16x20 Acrylics on Canvas. 2013. An intimate portrayal of female oppression, voyeuring the harsh disfigurment in order to comprehend the potential for disarmament.
"Grace for Womanhood Warfare." 16x20 Acrylics on Canvas. 2013. An intimate portrayal of female oppression, voyeuring the harsh disfigurment in order to comprehend the potential for disarmament.
"Backyard Blues: If I ever go looking for my heart's desire again, I won't look any further than my own back yard.", 11x14, mixed media, 2012
"Backyard Blues: If I ever go looking for my heart's desire again, I won't look any further than my own back yard.", 11x14, mixed media, 2012
"Properly illuminated during hours of darkness", 16x20, acrylics on canvas, 2013
"Properly illuminated during hours of darkness", 16x20, acrylics on canvas, 2013A huge flag waving in the breeze behind the trees in the night sky.
"With a Rebel Yell: diptych I", aerosol & paint on concrete board, 2013
"With a Rebel Yell: diptych I", aerosol & paint on concrete board, 2013
"Birds Eye-View", 16x20, acrylics on canvas, 2012. The aerial view of a prison from the birds-eye-view of the geese that inhabited the grassy courtyards inside the wall of the institution.
"Birds Eye-View", 16x20, acrylics on canvas, 2012. The aerial view of a prison from the birds-eye-view of the geese that inhabited the grassy courtyards inside the wall of the institution.
"F-BOMBS", 16x20, acrylics & polyurethane on canvas, 2013
"F-BOMBS", 16x20, acrylics & polyurethane on canvas, 2013
Veterans of Feminist Wars.jpg
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